.BI \-m 1Effectively behaves as if all sustains are ignored, volume ramping isthe same as normal stage 3..TP.BI \-m 3000A note at full volume will decay for \fB3\fP seconds once it begins tobe sustained (assuming the regular stage 3 rate would not cause it todecay even longer).  Softer notes will of course die sooner..RE.TP.BI "\-N " n ", \-\-interpolation=" nSets interpolation parameter.  This option depends on the\fB\-EFresamp\fP option's value..RS.TP.B cspline, lagrangeToggles 4\-point linear interpolation (default is on)..TP.B newton\fIn\fP point interpolation using Newton polynomials.  \fIn\fP must bean odd number from \fB1\fP to \fB57\fP..TP.B gauss\fIn\fP+1 point modified Gauss interpolation.  Ranges \fB0\fP(disable) to \fB34\fP (max), default to \fB25\fP..LPIn either way, linear interpolation is used if audio queue < 99%..RE.TP.BI "\-O " mode ", \-\-output\-mode=" mode.br.ns.TP.B \-\-flac\-verify.br.ns.TP.BI \-\-flac\-padding= n.br.ns.TP.BI \-\-flac\-complevel= n.br.ns.TP.B \-\-oggflac.br.ns.TP.BI \-\-speex\-quality= n.br.ns.TP.B \-\-speex\-vbr.br.ns.TP.BI \-\-speex\-abr= n.br.ns.TP.B \-\-speex\-vad.br.ns.TP.B \-\-speex\-dtx.br.ns.TP.BI \-\-speex\-complexity= n.br.ns.TP.BI \-\-speex\-nframes= nSelects the output mode from the compiled\-in alternatives.\fImode\fP must begin with one of the supported output modeidentifiers.  Run \fBTiMidity++\fP with the \fB\-h\fP option to seethe list..brSpecial in Ogg FLAC output mode, verifying generated data (will be abit slower), the size of header padding (default is 4096), thecompression level (0 to 8) (default is 5), and enabling OggFLAC streamcan be specified by \fB\-\-flac\-verify\fP, \fB\-\-flac\-padding\fP,\fB\-\-flac\-complevel\fP and \fB\-\-oggflac\fP options respectively..brSpecial in Ogg Speex output mode, the compression quality (0 to 10)(default is 8), Enabling VBR output, enabling ABR output and settingthe ratio to n, enabling VAD (voice activity detection), enabling DTX(discontinuous transmission), the encoding complexity (0 to 10)(default is 3), and frames in a single Ogg packet (0 to 10) (defaultis 1) can be specified by \fB\-\-speex\-quality\fP,\fB\-\-speex\-vbr\fP, \fB\-\-speex\-abr\fP, \fB\-\-speex\-vad\fP,\fB\-\-speex\-dtx\fP, \fB\-\-speex\-complexity\fP and\fB\-\-speex\-nframes\fP options respectively..brThe following identifiers are available in all versions:.RS.TP.B \-OdOutputs via audio device (default).TP.B \-OsOutput to ALSA.TP.B \-OrGenerate raw waveform data.  All format options are supported.  Commonformats include:.RS.TP.B \-OrUu\-Law.TP.B \-Or1sl16\-bit signed linear PCM.TP.B \-Or8ul8\-bit unsigned linear PCM.RE.TP.B \-OuGenerate Sun Audio (au) data.TP.B \-OaGenerate AIFF data.TP.B \-OwGenerate RIFF WAVE format output.  If output is directed to anon\-seekable file, or if \fBTiMidity++\fP is interrupted beforeclosing the file, the file header will contain 0xffffffff in the RIFFand data block length fields.  The popular sound conversion utilitysox is able to read such malformed files, so you can pipe datadirectly to sox for on\-the\-fly conversion to other formats..TP.B \-OlList MIDI events.TP.B \-OMMOD \-> MIDI conversion.TP.B \-OeEsounD.TP.B \-OpPortAudio.TP.B \-OjJACK.TP.B \-OraRts.TP.B \-OAAlib.TP.B \-OvOgg Vorbis.TP.B \-OFOgg FLAC.TP.B \-OSOgg Speex.TP.B \-OOlibdao.TP.B Format optionsOption characters may be added immediately after the mode identifierto change the output format.  The following options are recognized:.RS.TP.B S, \-\-output\-stereoStereo.TP.B M, \-\-output\-monoMonophonic.TP.B s, \-\-output\-signedSigned output.TP.B u, \-\-output\-unsignedUnsigned output.TP.B 1, \-\-output\-16bit16\-bit sample width.TP.B 2, \-\-output\-24bit24\-bit sample width.TP.B 8, \-\-output\-8bit8\-bit sample width.TP.B l, \-\-output\-linearLinear encoding.TP.B U, \-\-output\-ulawu\-Law (8\-bit) encoding.TP.B A, \-\-output\-alawA\-Law encoding.TP.B x, \-\-[no\-]output\-swabByte\-swapped output.LPNote that some options have no effect on some modes.  For example, youcannot generate a byte\-swapped RIFF WAVE file, or force uLaw outputon a Linux PCM device..RE.RE.TP.BI "\-o " file ", \-\-output\-file=" filePlace output on \fIfile\fP, which may be a file, device, or HP\-UXaudio server, depending on the output mode selected with the \fB\-O\fPoption.  The special filename `\-' causes output to be placed onstdout..TP.BI "\-P " file ", \-\-patch\-file=" fileUse patch file for all programs..TP.BI "\-p " [n](a).br.ns.TP.BI \-\-polyphony= n.br.ns.TP.B \-\-[no\-]polyphony\-reductionSets polyphony (maximum number of simultaneous voices) to \fIn\fP..brOptionally to put `a' character along with \fB\-p\fP option, or to use\fB\-\-polyphony\-reduction\fP, instructs \fBTiMidity++\fP to enableautomatic polyphony reduction algorithm..TP.BI "\-Q " n[,...](t).br.ns.TP.BI \-\-mute= n[,...].br.ns.TP.BI \-\-temper\-mute= n[,...]Cause channel \fIn\fP to be quiet.  \fIn\fP can carry out packagespecification by `,'.  If \fIn\fP is \fB0\fP, all channels are turnedoff.  Continuously, specifying \-\fIn\fP, channel \fIn\fP is turnedback on..brOn the other hand, to put `t' character after \fB\-Q\fP option or touse \fB\-\-temper\-mute\fP describes temperament mute.  This muteschannels of specific temperament type \fIn\fP.  For presettemperament, \fIn\fP can range \fB0\fP to \fB3\fP.  For user\-definedtemperament, \fIn\fP can range \fB4\fP to \fB7\fP..TP.BI "\-q " sec/n ", \-\-audio\-buffer=" sec/nSpecify audio buffer in seconds.  \fIsec\fP maximum size of buffer,\fIn\fP percentage filled at the beginning (default is \fB5.0/100\fP)(size of 100% equals the whole device buffer size)..TP.BI "\-R " msecEnables Pseudo Reverb Mode.  It sets every instrument's release to\fImsec\fP ms.  If \fImsec\fP is \fB0\fP, \fImsec\fP is set to\fB800\fP (default)..TP.BI "\-S " n ", \-\-cache\-size=" nSets the re\-sample cache size to \fIn\fP bytes.  If \fIn\fP equals\fB0\fP any sample caches are disabled.  The default value of\fIn\fP is \fB2097152\fP (2MB)..TP.BI "\-s " freq ", \-\-sampling\-freq=" freqSets the resampling frequency (Hz or kHz).  Not all sound devices arecapable of all frequencies \-\- an approximate frequency may beselected, depending on the implementation..TP.BI "\-T " n ", \-\-adjust\-tempo=" nAdjust tempo to \fIn\fP%; \fB120\fP play MOD files with an NTSCAmiga's timing..TP.BI "\-t " code ", \-\-output\-charset=" codeSets output coding of Japanese text.  Possible values of \fIcode\fPare:.RS.TP.B autodetermined by the LANG environment variable..TP.B asciiTranslates non\-ASCII code to period..TP.B nocnvNo conversion..TP.B 1251Convert from windows\-1251 to koi8\-r..TP.B eucOutputs EUC (Japan) coding..TP.B jisOutputs JIS coding..TP.B sjisOutputs SJIS coding..RE.TP.B \-U, \-\-[no\-]unload\-instrumentsUnload all instruments from memory between MIDI files.  This canreduce memory requirements when playing many files in succession..TP.BI "\-V " power ", \-\-volume\-curve=" powerSet the power of volume curve.  The total amplification becomesvolume^\fIpower\fP.  \fB0\fP (default) uses the regular tables.  Anynon\-zero value causes all midi to use the new user definedvelocity/volume/expression curve (linear: \fB1\fP, ideal:~\fB1.661\fP, GS: ~\fB2\fP)..TP.B \-v, \-\-versionShow the version string.TP.BI "\-W " mode ", \-\-wrd=" modePlay WRD file..spAllowed values of \fImode\fP are:.RS.TP.B xX Window System mode.TP.B wWindows console mode.TP.B tTTY mode.TP.B dDumb mode (outputs WRD events directory).TP.B \-do not trace WRD.TP.B R[opts]Sets WRD options:.RS.TP.BI a1= b1 ,a2= b2 ,...Sets the WRD options.  \fBan\fP is the name of option and \fIbn\fP isthe value..TP.BI d= nEmulates timing (@WAIT, @WMODE) bugs of the original MIMPI player.The emulation levels are:.RS.TP.BI \-WRd= 0do not emulate any bugs of MIMPI.TP.BI \-WRd= 1only emulate some bugs (default).TP.BI \-WRd= 2emulate all known bugs.RE.TP.BI F= fileUse \fIfile\fP as WRD file only no file matching *.wrd is found..TP.BI f= fileUses \fIfile\fP as WRD file..RE.LPWRD mode must also use trace mode (option \fB\-i?t\fP) orthe timing of the WRD events will be terrible..RE.TP.BI "\-w " mode ", \-\-rcpcv\-dll=" modeExtended mode for MS Windows.  The following options are available:.RS.TP.BI "\-w " rUse rcpcv.dll to play RCP/R36 files..TP.BI "\-w " RDo not use rcpcv.dll (default)..RE.TP.BI "\-x " str ", \-\-config\-string=" strConfigure \fBTiMidity++\fP with \fIstr\fP.  The format of \fIstr\fP isthe same as \fBtimidity.cfg\fP..spFor example:.br\fB\-x'bank 0\\n0 violin.pat'\fP.brSets the instrument number 0 to violin..brCharacter `\\' (Ascii 0x5c) in the \fIstr\fP is treated as escapecharacter like in C literals.  For example \fB\\n\fP is treated ascarriage return..TP.BI "\-Z " file ", \-\-freq\-table=" fileCause the table of frequencies to be read from \fIfile\fP.  This isuseful to define a tuning different from 12\-equal temperament.  If``pure'' is specified, TiMidity++ plays in trial pure intonation..RS.TP.BI \-Zpure [n(m)] ", \-\-pure\-intonation=" [n(m)]Play in trial pure intonation by Key Signature meta\-event in the MIDIfile.  You can specify the initial keysig by hand, in case the MIDIfile does not contains the meta\-event.  Optionally, \fIn\fP is thenumber of key signature.  In case of sharp, \fIn\fP is positive.  Incase of flat, \fIn\fP is negative.  Valid values of \fIn\fP are in theinterval from \fB\-7\fP to \fB7\fP.  In case of minor mode, you shouldput `m' character along with \fB\-Zpure\fP option..RE.TP.BI \-\-module= nSimulate behavior of specific synthesizer module as much as possible.For the moment, the value of \fIn\fP defined is as follows:.RS.TP.B 0\fBTiMidity++\fP Default.TP.B 1Roland SC\-55.TP.B 2Roland SC\-88.TP.B 3Roland SC\-88Pro.TP.B 4Roland SC\-8850.TP.B 5\-15Reserved for GS family.TP.B 16YAMAHA MU\-50.TP.B 17YAMAHA MU\-80.TP.B 18YAMAHA MU\-90.TP.B 19YAMAHA MU\-100.TP.B 20\-31Reserved for XG family.TP.B 32SoundBlaster Live!.TP.B 33SoundBlaster Audigy.TP.B 34\-111Reserved for other synthesizer modules.TP.B 112\fBTiMidity++\fP Special 1.TP.B 113\-126Reserved for \fBTiMidity++\fP specification purposes.TP.B 127\fBTiMidity++\fP Debug.RE.SH SEE ALSOlsmidiprog(1), mididump(1), patinfo(1), sf2text(1), wav2pat(1),timidity.cfg(5).SH COPYRIGHTCopyright (C) 1999\-2004 Masanao Izumo <iz@onicos.co.jp>.brCopyright (C) 1995 Tuukka Toivonen <tt@cgs.fi>.LPThe original version was developed by Tuukka Toivonen <tt@cgs.fi>until the release of TiMidity\-0.2i.  His development was discontinuedbecause of his being busy with work..LPThis program is free software; you can redistribute it and/or modifyit under the terms of the \fIGNU General Public License\fP aspublished by the Free Software Foundation; either version 2 of theLicense, or (at your option) any later version..LPThis program is distributed in the hope that it will be useful, butWITHOUT ANY WARRANTY; without even the implied warranty ofMERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the \fIGNUGeneral Public License\fP for more details..LPYou should have received a copy of the GNU General Public Licensealong with this program; if not, write to the Free SoftwareFoundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111\-1307USA.SH AVAILABILITYThe latest release is available on the \fBTiMidity++\fP Page,.LPURL http://www.timidity.jp/.SH BUGSEats more CPU time than a small CPU\-time\-eating animal..LPThis man page was translated from Japanese to English by me withpoor English skill :\-).SH AUTHORS.TP.B Version 0.2i and earlier:Tuukka Toivonen <tt@cgs.fi>.brVincent Pagel <pagel@loria.fr>.brTakashi Iwai <tiwai@suse.de>.brDavide Moretti <dave@rimini.com>.brChi Ming HUNG <cmhung@insti.physics.sunysb.edu>.brRiccardo Facchetti <riccardo@cdc8g5.cdc.polimi.it>.TP.B TiMidity++:IZUMO Masanao <iz@onicos.co.jp>.brHARADA Tomokazu <harada@prince.pe.u\-tokyo.ac.jp>.brYAMATE Keiichirou <keiich\-y@is.aist\-nara.ac.jp>.brKIRYU Masaki <mkiryu@usa.net>.brAOKI Daisuke <dai@y7.net>.brMATSUMOTO Shoji <shom@i.h.kyoto\-u.ac.jp>.brKOYANAGI Masaaki <koyanagi@okilab.oki.co.jp>.brIMAI Kunihiko <imai@leo.ec.t.kanazawa\-u.ac.jp>.brNOGAMI Takaya <t\-nogami@happy.email.ne.jp>.brWATANABE Takanori <takawata@shidahara1.planet.kobe\-u.ac.jp>.brTAKEKAWA Hiroshi <sian@big.or.jp>.brNAGANO Daisuke <breeze.nagano@nifty.ne.jp>.brKINOSHITA kosuke <kino@krhm.jvc\-victor.co.jp>.brSHIGEMURA Norikatsu <nork@ninth\-nine.com>.brYAMAHATA Isaku <yamahata@kusm.kyoto\-u.ac.jp>.brARAI Yoshishige <ryo2@on.rim.or.jp>.brGlenn Trigg <ggt@netspace.net.au>.brTim Allen <thristian@usa.net>.brMichael Haardt <michael@moria.de>.brEric A. Welsh <ewelsh@ccb.wustl.edu>.brPaolo Bonzini <bonzini@gnu.org>.brKIMOTO Masahiko <kimoto@ohnolab.org>.brIWAI Takashi <tiwai@suse.de>.brSaito <saito2@digitalme.com>.brSATO Kentaro <kentaro@ps.catv.ne.jp>.brTAMUKI Shoichi <tamuki@linet.gr.jp>.brURABE Shohei <root@mput.dip.jp>.brSUENAGA Keishi <s_keishi@mutt.freemail.ne.jp>.brSUZUKI Koji <k@kekyo.net>.LP(titles omitted and an order different).LPand other many people sends information and bug\-fix codes..LPThe English version of this man page was written by NAGANO Daisuke<breeze.nagano@nifty.ne.jp>..LPNow, TAMUKI Shoichi <tamuki@linet.gr.jp> and URABE Shohei<root@mput.dip.jp> are maintaining the man page..brIf you have any comments or suggestions or complaints :) about thisman page, please tell us it.